FOR MYRIA

"His greatest strength lies in the treatment of the more tactile-sounding electroacoustic sources, often towards the higher end of the frequency spectrum - not quite in the dog-troubling sonic strata occupied by Richard Chartier mind you, but rather the more delicate range of concrete sounds you might associate with someone crumpling a dried up autumn leaf in their hand. Consequently, but for one or two notable instances, there's not a great deal of bass in Cave's work." www.boomkat.com