"Live in Montreal" commences very quietly as a barely audible hiss, which proceeds to build in intensity until the sixteen minute mark, then falls back into silence for a few seconds before advancing into the next movement of the piece. At this point the performance takes on a more scary and sinister shape. Sounds seem to move in all directions. It is absolutely mind blowing what Francisco López is able to achieve using equalization and a quadraphonic speaker set up."
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