SINFONIA PUNTA CAMPANELLA IN 4 MOVIMENTI

"The initial use of music as purely functional to action was later replaced with a necessity for autonomous composition, in which music finds its own role, independent fom the theatrical sphere. Nitsch's poetic is made up of strong contrasts where music represent the syntax of his theatre. Going through the scores it's possible to see how the sound image guides the flow of action. The roots of this music can be traced in the excess, the scream and the uproar. The most extreme excitation is connected to the most extreme manifestation of noise."